"Kant, Art, and Art History: Moments of Discipline is the first systematic study of Immanuel Kant's reception in and influence on the visual arts and art history. Working against Kant's transcendental approach to aesthetic judgment, Cheetham examines five "moments" of his influence, including the use of his political writings by German-speaking artists and critics in Rome around 1800, the canonized patterns of Kant's reception in late nineteenth- and early twentieth-century art history, particularly in the work of Wolfflin and Panofsky, and Kantian language in the criticism of cubism. Cheetham also reassesses Clement Greenberg's famous reliance on Kant. The final chapter focuses on Kant's "image" in both contemporary and posthumous portraits and examines his status as the personification of philosophy within a disciplinary hierarchy. In Cheetham's reading, Kant emerges as a figure who has constantly defined and crossed the borders among art, its history, and philosophy."--BOOK JACKET.