This is the first comprehensive study in English of Brecht's Mother Courage in production. Peter Thomson provides a detailed account of Brecht's own production in 1949 and then explores how the play has been transmitted from Joan Littlewood's production in 1956 to the Royal National Theatre in 1995. The book also examines interpretations by Judi Dench, Glenda Jackson, and Richard Schechner. Additional seminal productions from the continent are also analysed and a final chapter examines the plays influence on, amongst others, Peter Brook and highlights the new urgency of the text in light of the wars in former Yugoslavia and Uganda.