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The anonymous Marie de France

Autor R. Howard Bloch

Editorial THE UNIVERSITY OF CHICAGO PRESS

The anonymous Marie de France
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54,13€
Ahorra 2,85€
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"This book offers a fundamental reconception of the person generally assumed to be the first woman writer in French, the author known as Marie de France. The Anonymous Marie de France is the first work to consider all of the writing ascribed to Marie...

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  • Editorial THE UNIVERSITY OF CHICAGO PRESS
  • ISBN13 9780226059686
  • ISBN10 0226059685
  • Tipo LIBRO
  • Páginas 367
  • Año de Edición 2003
  • Idioma Inglés
  • Encuadernación Tela

The anonymous Marie de France

Autor R. Howard Bloch

Editorial THE UNIVERSITY OF CHICAGO PRESS

"This book offers a fundamental reconception of the person generally assumed to be the first woman writer in French, the author known as Marie de France. The Anonymous Marie de France is the first work to consider all of the writing ascribed to Marie...

-5% dto.    56,98€
54,13€
Ahorra 2,85€
No disponible, consulte disponibilidad
Envío gratis
España peninsular

Detalles del libro

"This book offers a fundamental reconception of the person generally assumed to be the first woman writer in French, the author known as Marie de France. The Anonymous Marie de France is the first work to consider all of the writing ascribed to Marie, including her famous Lais, her 103 animal fables, and the earliest vernacular Saint Patrick's Purgatory." Evidence about Marie de France's life is so meager that we know next to nothing about her - not where she was born and to what rank, who her parents were, whether she was married or single, where she lived and might have traveled, nor whether she dwelled in cloister or at court. In the face of this great writer's near anonymity, scholars have assumed her to be a simple, naive, and modest Christian figure. Bloch's claim, in contrast, is that Marie is among the most self-conscious, sophisticated, complicated, and disturbing figures of her time - the Joyce of the twelfth century. At a moment of great historical turning, the so-called Renaissance of the twelfth century, Marie was both a disrupter of prevailing cultural values and a founder of new ones. Her works, Bloch argues, reveal an author obsessed by writing, by memory, and by translation, and acutely aware not only of her role in the preservation of cultural memory, but of the transforming psychological, social, and political effects of writing within an oral tradition.

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