Cesta de la compra

For the common good: popular politics in Barcelona 1580-1640

Autor Luis R. Corteguera

Editorial CORNELL UNIVERSITY PRESS

For the common good: popular politics in Barcelona 1580-1640
-5% dto.    40,60€
38,57€
Ahorra 2,03€
No disponible, consulte disponibilidad
Envío gratis
España peninsular
  • Editorial CORNELL UNIVERSITY PRESS
  • ISBN13 9780801437809
  • ISBN10 0801437806
  • Tipo LIBRO
  • Páginas 231
  • Año de Edición 2002
  • Idioma Inglés
  • Encuadernación Tela

For the common good: popular politics in Barcelona 1580-1640

Autor Luis R. Corteguera

Editorial CORNELL UNIVERSITY PRESS

-5% dto.    40,60€
38,57€
Ahorra 2,03€
No disponible, consulte disponibilidad
Envío gratis
España peninsular

Detalles del libro

On June 7, 1640, the viceroy of Catalonia was stabbed to death on a Barcelona beach. By Christmas, several more royal officials of the Spanish principality had been assassinated. In the wake of these and other violent acts committed by the "people" -- a term used for artisans -- the Catalans severed their allegiance to the Spanish monarchy and elected Louis XIII of France their new king. The first English-language book to explore the political beliefs and behavior of early modern craftsmen, Luis R. Corteguera's work offers a dramatically new account of the origins of the Catalan revolt, the longest rebellion in seventeenth-century Spain.

Drawing on his extensive research in Barcelona's archives, Corteguera examines how the political actions, ideas, and language of Barcelona's craftsmen shaped the relations between the Spanish monarchy and Catalonia in the decades leading to the insurrection. Artisans made up over half of the population of Barcelona, the political center and largest city of Catalonia. The Mediterranean port had a long history of active popular politics. Artisans sat in the city council, formed the core of the principality's largest militia, and participated in protests and riots.

Corteguera finds that the 1640 rebellion was not a social revolution of the poor but rather a political action by craftsmen seeking to defend what they perceived as the ancient liberties of their homeland. Although their behavior was more violent, the artisans were, the author asserts, motivated by the same assumptions, language, and symbols that inspired the elite of the principality.