Si, Acepto
Esta web utiliza cookies para obtener datos estadísticos de la navegación de sus usuarios. Si continúa navegando consideramos que acepta su uso. Leer más

Cesta de la compra

Exploring twentieth-century music. Tradition and innovation

Autor Arnold Whittall

Editorial CAMBRIDGE UNIVERSITY PRESS

Exploring twentieth-century music. Tradition and innovation
-5% dto.    33,97€
32,27€
Ahorra 1,70€
No disponible, consulte disponibilidad
Envío gratis
España peninsular

Arnold Whittall considers a group of important composers of the twentieth century, including Debussy, Webern, Schoenberg, Stravinsky, Bartok, Janacek, Britten, Carter, Birtwistle, Andriessen and Adams. He moves skillfully between the cultural and the...

Leer más...
  • Editorial CAMBRIDGE UNIVERSITY PRESS
  • ISBN13 9780521016681
  • ISBN10 0521016681
  • Tipo LIBRO
  • Páginas 238
  • Año de Edición 2003
  • Idioma Inglés
  • Encuadernación Rústica

Exploring twentieth-century music. Tradition and innovation

Autor Arnold Whittall

Editorial CAMBRIDGE UNIVERSITY PRESS

Arnold Whittall considers a group of important composers of the twentieth century, including Debussy, Webern, Schoenberg, Stravinsky, Bartok, Janacek, Britten, Carter, Birtwistle, Andriessen and Adams. He moves skillfully between the cultural and the...

-5% dto.    33,97€
32,27€
Ahorra 1,70€
No disponible, consulte disponibilidad
Envío gratis
España peninsular

Detalles del libro

Arnold Whittall considers a group of important composers of the twentieth century, including Debussy, Webern, Schoenberg, Stravinsky, Bartok, Janacek, Britten, Carter, Birtwistle, Andriessen and Adams. He moves skillfully between the cultural and the technical, the general and the particular, to explore the various contexts and critical perspectives which illuminate certain works by these composers. Considering the extent to which place and nationality contribute to the definition of musical character, he investigates the relevance of such images as mirroring and symmetry, the function of genre and the way types of identity may be suggested by such labels as classical, modernist, secular, sacred, radical, traditional. These categories are considered as flexible and interactive and they generate a wide-ranging series of narratives delineating some of the most fundamental forces which affected composers and their works within the complex and challenging world of the twentieth century.