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The Gothic. A Very Short Introduction.

Autor Nick Groom

Editorial OXFORD UNIVERSITY PRESS

The Gothic. A Very Short Introduction.
10,75€
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  • Editorial OXFORD UNIVERSITY PRESS
  • ISBN13 9780199586790
  • ISBN10 0199586799
  • Tipo LIBRO
  • Páginas 144
  • Colección Very Short Introductions #329
  • Año de Edición 2012
  • Idioma Inglés
  • Encuadernación Paperback

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The Gothic. A Very Short Introduction.

Autor Nick Groom

Editorial OXFORD UNIVERSITY PRESS

10,75€
No disponible, consulte disponibilidad
Envío gratis a partir de 19€
España peninsular

Detalles del libro

  • Examines all aspects of the 'Gothic', including architecture, fiction, culture, literature, poetry, photography, and film
  • Explores the historical meanings of the term and its origins
  • Presents a rich and complex history that offers striking new ways of understanding and looking at modern culture and identity
  • Considers the contemporary Gothic phenomenon
  • Part of the best-selling Very Short Introductions series - over five million copies sold worldwide
The Gothic is wildly diverse. It can refer to ecclesiastical architecture, supernatural fiction, cult horror films, and a distinctive style of rock music. It has influenced political theorists and social reformers, as well as Victorian home décor and contemporary fashion. Nick Groom shows how the Gothic has come to encompass so many meanings by telling the story of the Gothic from the ancient tribe who sacked Rome to the alternative subculture of the present day.

This unique Very Short Introduction reveals that the Gothic has predominantly been a way of understanding and responding to the past. Time after time, the Gothic has been invoked in order to reveal what lies behind conventional history. It is a way of disclosing secrets, whether in the constitutional politics of seventeenth-century England or the racial politics of the United States. While contexts change, the Gothic perpetually regards the past with fascination, both yearning and horrified. It reminds us that neither societies nor individuals can escape the consequences of their actions.

The anatomy of the Gothic is richly complex and perversely contradictory, and so the thirteen chapters here range deliberately widely. This is the first time that the entire story of the Gothic has been written as a continuous history: from the historians of late antiquity to the gardens of Georgian England, from the mediaeval cult of the macabre to German Expressionist cinema, from Elizabethan Revenge Tragedy to American consumer society, from folk ballads to vampires, from the past to the present.

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