She is back with a heavyweight state-of-the-nation story that has been ten years in the making (Daily Mail)

Roy's second novel proves as remarkable as her first (Financial Times)

A great tempest of a novel... which will leave you awed by the heat of its anger and the depth of its compassion (Washington Post)

A humane, engaged near-fairy tale that soon turns dark - full of characters and their meetings, accidental and orchestrated alike to find, yes, that utmost happiness of which the title speaks (Kirkus (starred review))

An author worth waiting two decades for (Financial Times)

Ambitious, original, and haunting. A novel [that] fuses tenderness and brutality, mythic resonance and the stuff of headlines . . .essential to Roy's vision of a bewilderingly beautiful, contradictory, and broken world (Publishers Weekly (starred review))

A masterpiece. Roy joins Dickens, Naipaul, García Márquez, and Rushdie in her abiding compassion, storytelling magic, and piquant wit. A tale of suffering, sacrifice and transcendence-an entrancing, imaginative, and wrenching epic (Donna Seaman Booklist (starred review))

The Ministry of Utmost Happiness confirms Roy's status as a writer of delicate human dramas that also touch on some of the largest questions of the day. It is the novel as intimate epic. Expect to see it on every prize shortlist this year (The Times)

Heartfelt, poetic, intimate, laced with ironic humour...The intensity of Roy's writing - the sheer amount she cares about these people - compels you to concentrate...This is the novel one hoped Arundhati Roy would write about India (Daily Telegraph)

Teems with human drama, contains a vivid cast of characters and offers an evocative, searing portrait of modern India (Tatler)

A beautiful and grotesque portrait of modern India and the world beyond. Take your time over it, just as the author did (Good Housekeeping)

This intimate epic about India over the past two decades is superb: political but never preachy; heartfelt yet ironic; precisely poetic (Daily Telegraph)

Arguably the biggest publishing event of the year

(Financial Times)

The first novel in 20 years from the Booker-prize winning author of The God of Small Things (Penguin)

LONGLISTED FOR THE MAN BOOKER PRIZE 2017

Longlisted for the Carnegie Medal 2018

THE SUNDAY TIMES #1 BESTSELLER and THE NEW YORK TIMES BESTSELLER

'Magnificent - unlike anything I've read in years. An absolutely dazzling, original, and ultimately profound novel... A masterpiece. Very few writers can write with such intense and yet precise emotional intelligence. Arundhati Roy is properly special. We should be grateful to have her among us.' Mirza Waheed, author of The Book of Gold Leaves

'Roy's second novel proves as remarkable as her first' Financial Times

'A great tempest of a novel... which will leave you awed by the heat of its anger and the depth of its compassion' Washington Post

The first novel in 20 years from the Booker-prize winning author of The God of Small Things

The Ministry of Utmost Happiness takes us on a journey of many years-the story spooling outwards from the cramped neighbourhoods of Old Delhi into the burgeoning new metropolis and beyond, to the Valley of Kashmir and the forests of Central India, where war is peace and peace is war, and where, from time to time, 'normalcy' is declared.

Anjum, who used to be Aftab, unrolls a threadbare carpet in a city graveyard that she calls home. A baby appears quite suddenly on a pavement, a little after midnight, in a crib of litter. The enigmatic S. Tilottama is as much of a presence as she is an absence in the lives of the three men who loved her.

The Ministry of Utmost Happiness is at once an aching love story and a decisive remonstration. It is told in a whisper, in a shout, through tears and sometimes with a laugh. Its heroes are people who have been broken by the world they live in and then rescued, mended by love-and by hope. For this reason, they are as steely as they are fragile, and they never surrender. This ravishing, magnificent book reinvents what a novel can do and can be. And it demonstrates on every page the miracle of Arundhati Roy's storytelling gifts.

'A novel that demands and rewards the reader's concentration, this is a dazzling return to form' Independent

'This novel is a freedom song. Every page has the stamp of Roy's originality. Such brutality, such beauty' Amitva Kumar, the author of Immigrant, Montana

'Intricately layered and passionate, studded with jokes and with horrors... This is a work of extraordinary intricacy and grace' Prospect Magazine

'Gorgeous, supple, playful... Roy writes with astonishing vividness... Again and again beautiful images refresh our sense of the world' The New York Times Book Review

'A masterpiece. Roy joins Dickens, Naipaul, García Márquez, and Rushdie in her abiding compassion, storytelling magic, and piquant wit. An entrancing, imaginative, and wrenching epic' Booklist starred review

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