To get it out of the way: these are the best books I have read this year ... Childhood has the simple declarative sentences of Natalia Ginzburg and the pervasive horror of a good fairy story -- John Self, New Statesman

Mordant, vibrantly confessional... A masterpiece, Guardian

Semi-miraculous, raw and poignant ... Radiates the clear light of truth and stands as the ultimate victory of a life that must have felt, in the living of it, like a defeat -- Alex Preston, Observer

Intense, elegant ... Ditlevsen's portrait of Vesterbro in the Twenties has something of the same texture of Elena Ferrante's description of the poor Neapolitan neighbourhood in which her heroines grow up -- Lucy Scholes, The Daily Telegraph

Wrenching sadness and pitch-black comedy ... Sharp, tough and tender -- Boyd Tonkin, Spectator

Ditlevsen's taut, simple prose shines a light on what life and love were like for working-class women in 20th century Copenhagen. Elena Ferrante fans, take note, Stylist

Despite the darkness that haunts these three books, they shine with Ditlevsen's honesty and humanity ... Her work, seemingly so simple, has the miraculous quality of a life perceived in perfect clarity. Despite the author's untimely death, The Copenhagen Trilogy is a powerful - and uplifting - testament of survival -- Erica Wagner

As in much of the best autofiction, the protagonist's weakness is counterpoised by the strength of her voice ... [Ditlevsen speaks] beyond the cruel and disappointing figures she encounters to us, her readers, awaiting her in another time and another place -- Lara Feigel, Guardian
Biografía del autor
Tove Ditlevsen was born in 1917 in a working-class neighbourhood in Copenhagen. Her first volume of poetry was published when she was in her early twenties, and was followed by many more books, including her three brilliant volumes of memoir, Childhood (1967), Youth (1967) and Dependency (1971). She married four times and struggled with alcohol and drug abuse throughout her adult life until her death by suicide in 1978.