A slender, highly satisfying collection . . . In an appreciative introduction, New Yorker theater critic Hilton Als praises Didion as "a carver of words in the granite of the specific." Stylistic precision and the "energy and shimmer" of her prose are fully evident in this volume of previously uncollected pieces . . . All reveal the author's shrewd, acerbic critical eye . . . Didion's rejection from Stanford elicited an essay about college as consumption, and her skewering of consumption and artifice recur as themes--for example, in her observation of the ways women stage themselves for portrait photographs. Several particularly revealing essays focus on writing. --Kirkus

This wide-ranging essay collection from Didion showcases her strengths as a short form writer . . . The pieces trace Didion's development as an essayist and offer glimpses of late-20th-century social history . . . As always, the writing is captivating . . . Didion fans new and old will be delighted. --Publishers Weekly

[A] dozen arresting, mind-tuning, previously uncollected essays in this exhilarating and instructive gathering spanning several decades . . . [Writing is] a voyage of discovery for Didion, conducted via meticulous observation and assiduous questioning of what she thinks and how her investigations make her feel. We see this at work in her responses to a reunion of the WWII 101st Airborne Division during the Vietnam War and a photo shoot with Nancy Reagan, and in profiles of Robert Mapplethorpe and Martha Stewart. Didion is both porous and steely, self-deprecating and in command. With a perceptive foreword by Hilton Als, who discerns the "uncanny" in Didion's exacting work, this an illuminating and inspiring addition to the influential Didion canon. --Donna Seaman, Booklist
Biografía del autor
JOAN DIDION is the author of five novels, ten books of nonfiction, and a play. Her book, The Year of Magical Thinking, won the National Book Award in 2005. She lives in New York.

HILTON ALS is the author of The Women and White Girls. He is a staff writer for The New Yorker and teaches at Columbia University.