Braiding together the voices of two women - a mystic and a skeptic - Witches, to borrow Brenda Lozano's words by way of Heather Cleary's translation, runs into shadows to bring light. This is a story of the world's repeated failure to control feminine power and the sheer magic of language itself. An enthralling, passionate story about secrets both holy and profane -- Catherine Lacey ? author of Pew and Nobody is Ever Missing

Like the language of mushrooms: beautiful, brutal and beguiling, opening a new path to knowledge. -- Chloe Aridjis

Highly original, beautifully written and graced with a hypnotically compelling narrative style. A remarkable book -- Jon Lee Anderson

Alternating between the quotidian and the incantatory, Witches weaves together two personal and political histories, casting a potent spell of fury and curiosity, heartache and healing. Sibylline, rich, and incredibly precise in its construction, Witches exhibits Lozano's total mastery of her art on every page, insisting on the primacy and power of storytelling, and the right of all Others to claim it -- Maryse Meijer ? author of The Seventh Mansion

"Though the book chronicles violence against women and those who present as women, it highlights, in both rural and urban communities, an atmosphere of freedom and mobility that is a pleasure to read about" ? New York Times

The language that Brenda Lozano invokes in Witches belongs to unknown realms but also builds bridges between worlds-it knits kinships and illuminates ancestral knowledge still present today. In this superb, precise and ethical translation by Heather Cleary, Lozano's language truly becomes a site of revelation -- Gabriela Jauregui

The two women's coming of age tales are simply and subtly told, and made more immediate by the book's structure with its emphasis on oral recall. Lozano manages to portray two disparate worlds convincingly, while persuading us of their parallels . . . [daring] to imagine a Mexico that sees commonalities across cultures and genders -- Patrick Graney ? Literary Review

Lozano knows she is gifted and has no shame in showing it -- Margarita García Robayo ? author of Fish Soup

Brenda Lozano is among several contemporary Mexican writers whose playfully innovative work has met with acclaim in the UK . . . Let's hope more of [her] work will follow ? Guardian

An invitation for readers of all genders to disinherit themselves from their roles and to renounce the omnipresent male narrator ? El Economista

An injection of electricity, a music that continues to be heard far beyond its pages ? Mauro Libertella

Brenda Lozano is a splendid writer, brilliant, funny, subtly perverse, always moving -- Francisco Goldman
Brenda Lozano is a fiction writer, essayist and editor. Born in Mexico City, she studied literature in Mexico and the United States. She has participated in literary residencies in the US, Europe and Latin America, and her work has appeared in several anthologies, including Mexico20 and Bogotá39. She edits the literary journal Make in Chicago and is part of Ugly Duckling Presse in New York. She is the author of two earlier novels, Todo nada (2009), which is currently being adapted for the screen, and Cuaderno Ideal (2015), recently published by Charco Press in an English translation by Annie McDermott as Loop, and a book of short stories, Cómo piensan las piedras (2017). In 2015, she was recognised by Conaculta, the Hay Festival and the British Council as one of the most important authors under forty years of age from Mexico, and in 2017 she was selected by the Hay Festival for Bogotá 39, a list of the most outstanding new authors from Latin America. She currently lives in Mexico City.